Publications
]
"Musical Tapestry: Re-composing Natural Sounds",
Journal of New Music Research, pp. 36(4):241-250, 2008.
Abstract
"Playing the Network: the Use of Time Delays as Musical Devices",
International Computer Music Conference, pp. 244-250, 2008.
"q3osc: or How I Learned To Stop Worrying and Love The Game",
International Computer Music Conference, Belfast, Ireland, 2008.
Abstract
"Synchronization and acoustics in network performance.",
The Journal of the Acoustical Society of America, vol. 124, no. 4, pp. 2489, 2008.
"A Tangible Virtual String",
Proc. 2008 Conf. on New Instruments for Musical Expression (NIME-08), Geneva, Italy, 2008.
"To the Edge with China: Explorations in Network Performance",
ARTECH 2008: Proceedings of the 4th International Conference on Digital Arts, Porto, Portugal, pp. 61–66, 2008.
"Simulation of Recruiting Hearing Impairment Using a Tree-Structured Allpass-Complementary ERB-Band Filter Bank",
IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, Demo Session, New Paltz, NY, pp. [TD1-8], oct, 2007.
Signal Processing in Faust and Pd,
, nov, 2007.
"CCRMA Studio Report",
International Computer Music Conference, Copenhagen, Denmark, International Computer Music Association, 2007.
"Audio Watermarking through Deterministic plus Stochastic Signal Decomposition",
EURASIP Journal on Information Security, pp. Volume 2007, Article ID 75961, 12 pages, 2007.
Abstract
"Combining Analysis and Synthesis in the ChucK Programming Language",
International Computer Music Conference, Copenhagen, 2007.
Abstract
"Efficient Time-Varying Loudness Estimation via the Hopping Goertzel DFT",
Proceedings of the IEEE International Midwest Symposium on Circuits and Systems (MWSCAS-2007), 2007.
"Inducing Unusual Dynamics in Acoustic Musical Instruments",
Proc. IEEE International Conference on Control Applications, Singapore, Oct. 1–3, pp. 1336–1341, 2007.
"Interactive Network Media: A Dream Worth Dreaming?",
Organised Sound, pp. 10(3)209-219, 2007.
"maps and legends: FPS-Based Interfaces For Composition and Immersive Performance",
International Computer Music Conference, Copenhagen, Denmark, 2007.
Abstract
"Waveguide Mesh Reverberator with Internal Decay and Diffusion Structures",
Proceedings of the 123rd Convention of the Audio Engineering Society, New York, preprint 7194, 2007.
"Active Damping of a Vibrating String",
Proc. 6th International Symposium on Active Noise and Vibration Control, Adelaide, Australia, Sept. 18–20, 2006.
"Robust Design of Very High-Order Allpass Dispersion Filters",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"Some Physical Audio Effects",
Proc. Conf. Digital Audio Effects (DAFx-06), Montreal, Canada, Sept., 2006.
"Surviving on Planet CCRMA, two years later and still alive",
International Computer Music Conference, Barcelona, Spain, 09/2005.
Abstract
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
Acustica–-Acta Acustica, vol. 91(2), pp. 299–311, 2005.
"SCUBA: the Self-Contained Unified Bass Augmenter",
New Interfaces for Musical Expression, pp. 38–41, 2005.
"Loudness-Based Display and Analysis Applied to Artificial Reverberation",
Proc. 2004 Int. Computer Music Conf., Miami, Florida: Computer Music Association, nov, 2004.
"CCRMA Studio Report",
International Computer Music Conference, Miami, USA, International Computer Music Association, 2004.
AM/FM Rate Estimation and Bias Correction for Time-Varying Sinusoidal Modeling,
, no. STAN-M-118: Stanford University, Department of Music, 2004.
Coupled Structural-Acoustic Systems. Application to Stringed Instruments,
, no. STAN-M-119: Stanford University, Department of Music, 2004.
CQIFFT: Correcting Bias in a Sinusoidal Parameter Estimator based on Quadratic Interpolation of FFT Magnitude Peaks,
, no. STAN-M-117: Stanford University, Department of Music, 2004.
"Design Criteria for Simple Sinusoidal Parameter Estimation based on Quadratic Interpolation of FFT Magnitude Peaks",
Audio Engineering Society Convention, San Francisco, New York, Audio Engineering Society, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (I): Bias due to Interpolation,
, no. STAN-M-114: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (II): Bias due to Interfering Components,
, no. STAN-M-115: Stanford University, Department of Music, 2004.
Design Criteria for the Quadratically Interpolated FFT Method (III): Bias due to Amplitude and Frequency Modulation,
, no. STAN-M-116: Stanford University, Department of Music, 2004.
"Energy-conserving Finite Difference Schemes for Nonlinear Strings",
EURASIP Journal on Applied Signal Processing, vol. 4, 2004.
"An oversampled, non-uniform filter bank for multi-band audition and level modification of audio signals",
Proc. 38th Asilomar Conference on Signals, Systems and Computers, 2004.
"A Simple, Accurate Wall Loss Filter for Acoustic Tubes",
Proc. Conf. Digital Audio Effects (DAFx-03), Queen Mary, University of London, Sept., 2003.
"Methods for Simulating String Collisions with Rigid Spatial Objects",
Proc. IEEE Workshop on Appl. Signal Processing to Audio and Acoustics, New Paltz, NY, New York, IEEE Press, oct, 2003.
CCRMA Overview April 2003,
, Stanford, CA, CCRMA, 04/2003.
"The 2003 CCRMA Open House",
CCRMA Overview, April 2003, 2003.
"Inferring Control Inputs to an Acoustic Violin from Audio Spectra",
Proc. Int. Conf. Multimedia Eng., New York, IEEE Press, 2003.
